This article will help you diagnose, adjust & hopefully fix the following factors with your oboe reeds: 1. With my reeds, I get this kind of response mostly from how the tip is scraped and how the reed is balanced. And of course, if you have any thoughts, feel free to comment or send a message! Just move one finger at a time and make sure each note slurs and responds just as easily as going between a B and an A. But, because reeds are unpredictable and can change based on the weather, you will want to have a variety of reeds ready. Your reeds will also over-soak if you are working on them too long. It is important to use as many adjectives as we can to describe our reeds (and our playing too) to help zero in on the precise problem. Here are 5 reed making resolutions for 2021. 6% coupon applied at checkout Save 6% with voucher (limited sizes/colours) Get it Sunday, Dec 6. In general, if a reed is too hard for me, I might scrape more cane out of the blend area or scrape more out of the top and bottom corners of the tip. oboe reed making does not stop at the reed desk. The heart and windows of the reed need to be just thin enough, which is why I sometimes use a dial indicator to quickly measure those areas—this just ensures that my reeds are within a normal range. […] How To Make Oboe Reeds (Tim Feil): Reed Response […], The size of the reed opening can also be mistaken for hardness. In other words, before you decide to clip the tip, make sure that the reed is overly responsive. That means that a professional who plays on hard reeds should still be able to play low notes reliably. Language. Some people might see this topic differently than I do, or adjust their reeds differently, so this is just how I handle my reeds. If your oboe is not adjusted properly, you might try to scrape too much cane out of the reed. Often reed makers have the thumb of the hand holding the reed resting on the knife to have more control right where the knife is scraping. I wasn't sure at first if it was too long, but comparing it to the reeds the other players in my section use, there is a noticeable difference. FREE Delivery on your first order shipped by Amazon. Keep the reed in the case for storage; Soak the reed again and play for longer practice sessions or rehearsals. Also, the heart and windows should be balanced so that they are not so thick that the reed doesn't vibrate, and of course, not too thin that the reed is flat and too 'loose' in how it responds. The reed turned out fine, but I did create more work for myself. Don't pull the reed out more than 1/8 of an inch when you tune (this is a sign that the student is pinching the reed sharp with a tight embouchure) Oboe bell should be down just above knees . If your reed isn’t working, don’t feel as though you’ve somehow gotten worse at playing the oboe overnight. Maybe I'll fuss with those reeds a little bit and try to get them closer to what I play on, but I still like to have a few reeds that are a bit different. Some pieces of cane and some reeds will simply come out harder or softer than others. Ideally, this should work as you go down to an F#, E, D, C, low B, and low Bb. There are many benefits to a sharp reed knife including…. Hold the top joint securely while you insert the reed, being careful not to grip the keys. I love this course! The easiest way to scrape is to place the reed on a mandrel for easy handling. Yes, I've made good reeds with my Mack+ shaper tip at 70.5 or 68.5 mm, but it's rare. I may balance the reed this way several more times before I consider the reed finished and stable. The crow allows me to build the function into the reed away from the control of the embouchure. Push the reed all the way into the oboe, until the reed will not go any farther. It takes longer to finish the reed, but your results are worth it. This means my embouchure might get tired a little more quickly as I play on it. For me, response means that if I try to play a low C, middle C, and high C, all notes in all registers should play on command. It was once said that "it takes a barrel of failed reeds to get good at it". When clipping with either a knife or razor blade, hold the reed in one hand, and the knife in the other. Maybe a reed with too small of an opening might be perceived as too easy, or a reed with too big of an opening might be too hard to play in the upper register. You will have more control over your scrape, The tone quality and response of your reeds will improve. The best reeds do not need to be fussed over! It's easy to say quality is more important than quantity, but be careful with that saying because you also need a large quantity of reeds just in case something changes. . To test the response, you can try playing the low, middle, and high Cs and C#s to make sure each note responds similarly. Also included is my guide to scraping oboe reeds that is available for download. Reeds are listed here in order of most free-blowing to most resistant: M – Very free-blowing, long tip, larger aperture in general, responds well to a firm embouchure. Using the information above, you can adjust the reed to fit you. I love the fact that I can go at my own pace. Black PU Leather Oboe Reeds Case Box for 3pcs Reeds Hold 9x4.5x2cm. Even better, try to have a bunch of reeds at various stages of completion. It the edge gets feathered, clip it a bit. The reed also needs to be balanced so that the heart isn't too thick compared to the tip or windows. Reviews . The tip (especially at the top and sides) should be scraped thin enough to easily start the sound. I want you to have a reed that is responsive, but still gives you something to blow against. There are times when I make a batch of reeds that all seem to die within a few days, but then the reeds that were too hard at first are still useful. Soft reeds lead to saggy pitch and short lifespan. In this post, I want to go through how I think about response and easiness levels in my reeds. Details and insight. Moving between an B and an A should feel the same as moving from an A to a G, and from G to F#, and F# to E and so on. This kind of response is mostly from how the tip is scraped and how the reed is balanced. 59 £8.13 £8.13. Maybe not everyone reading this has driven a car, but you wouldn't want to tap the accelerator and have the car go 90 mph, but instead, you would want to have the control to ease on the accelerator to increase your speed. Clipping the tip brings the pitch up, but makes the reed less responsive. That might depend on the composer, the hall, or our colleagues with the exact type of action or attack we are looking for on each note. Some people like to play with harder reeds than other people, but having a variety of reeds can help you in situations that are atypical. For an oboe reed to work at it's best (vibrate at its optimum level) it needs the be correctly balanced. Student model oboes are often made from plastic resin, to avoid instrument cracking to which wood instruments are prone, but also to make the instrument more economical. This is just the visualization I like to use for the terms 'restraint' and 'cushion'. Maybe I'll fuss with those reeds a little bit and try to get them closer to what I play on, but I still like to have a few reeds that are a bit different. Make your reed quickly and efficiently. Taking more cane off of the heart and windows will make the reed respond more easily in the low register, but if you take too much off the reed will go flat. After clipping your reed you might need to re-finish the tip and make it thinner. I try to leave a spine going up the center of the tip. There are many different ideas out there as far as how an oboist should make reeds. If you're not sure how long your usually are, you might want to check all your best reeds to see if they are a particular length. Lessons. And then some reeds will just be bad—I expect to just throw away one or two out of every ten reeds (but keep the staple of course). Métal épais ou mince Certains prétendent que le métal plus mince favorise les articulations. You can also look at the transitions between the tip, heart, and windows. If there is a problem with a reed being too open or closed, it should be addressed directly. If a reed does not respond very well in the low register, I would consider that an unresponsive reed, not necessarily a hard reed. Don’t be afraid to pinch down a well soaked reed to make the tip opening more manageable. I have been taught how to make oboe reeds the old fashioned way- and it took years of training, frustration, and persistence, just to get it right for me. Sometimes people refer to reeds as being too easy or too light. I continue to thin directly behind the heart and balance to that adjustment by clipping the tip and again thinning the sides of the tip. For example, creating more separation between the tip and the heart and between the heart and windows will tend to open up the reed which might improve the response in the low register. If you've scraped too much out of one area, you can't add cane back on, but you can try rebalancing the reed and make every other part else thinner by comparison. I think some of us have slightly different definitions of words like 'response' or 'medium-hard reed'. For me, I make my reeds to be as responsive as possible while still maintaining some restraint to the tone. How to Balance an Oboe Reed. An oboe reed is made from shaving down an actual cane reed. Pitch (sharp or flat or change depending on note) 4. 4:59. Maybe a reed with too small of an opening might be perceived as too easy, or a reed with too big of an opening might be too hard to play in the upper register. The tip should be scraped thin enough to easily start the sound. Maybe you'll notice some variation, but try to pin point a normal range. 3. The sound shouldn't jump out but rather crescendo gradually. It truly is an amazing course that covers everything about reed making. Work the reed in this manner until you feel your reed is scraped to your needs. For example, creating more separation between the tip and the heart and between the heart and windows will tend to open up the reed which might improve the response in the low register. While you are crowing, you should also try to feel if the reed is vibrating into the heart and windows. If there is a problem with a reed being too open or closed, it should be addressed directly. Oboe Reed Medium Soft Oboe Reeds Cork Reed Wind Instrument Parts with Transparent Tube Sleeve. Soak the reed for 1-2 minutes. Bring the reed to your mouth - not your mouthto the reed . I make oboe reeds primarily by the crow of the oboe reed. The hardness or heaviness of a reed is very often mistaken for response. For example, a reed can be hard (or heavy) and still be responsive in the low register. There are some halls and rehearsal rooms that I have played in that required a heavier reed. (Note: While this is a reed making blog, keep in mind that your oboe needs to be in impeccable adjustment. An easy test is to play the middle B (with just your first finger), then slur down to an A, then G, and see if each note responds just as easily as the previous note. This includes helpful articles, diagrams, and more. Time will tell. An oboe reed should have a ‘C’ peep crow, and a bassoon reed should have an ‘E’ peep crow — use your tuner. I heard from a pianist that he likes to warm up pretending like he is underwater so that when he warms up, his movement is slower and more deliberate with a lot of 'restraint' in his motion, just like how someone would move if they were underwater. Just try to sound your best with what you got and try to find ways to improve. to see how I make my reeds. The reed goes into what’s called the bore, which is a very small hole at the tip of the oboe. Maybe keep one old reed that used to be good in case of an emergency, and then a few newly finished reeds that are not broken in. While there are some tricks you can do to make the reed more open or closed (like simply squeezing it open or shut), you might want to keep a few reeds that are too open or closed just in case they change! Ok, yes, you need to have a few very good reeds for a concert or audition. Tone (does it make a nice sound) 5. Scrape the tip in an upward motion (toward the folded tip). The restraint in the reed comes partly from leaving enough cane in the center of the tip. My favourite staples all have thin metal, but the also have different conical properties, so I was never able to compare different walls alone. This will put you in a cycle where you feel like your reeds are not responding well enough, so then you will scrape extra cane off…which makes the reed go flat…then you clip the reed to bring the pitch up…which makes the reed less responsive…so then you scrape more cane off…which makes the reed go flat…etc. The oboe reeds for beginners that are chosen must play in tune, with proper residence for the specific student.The oboe reed should also be responsive so the student can articulate notes softly or loudly in all registers of the instrument. Some reeds will only ever be OK, so use those to practice on. Sometimes, fixing the opening of a reed can make the response closer to your preferences. You never know what you'll need because you won't necessarily know how a reed breaks in. But, it can be a good thing to have a few reeds that are a little bit different! Ok, yes, you need to have a few very good reeds for a concert or audition. This means that the reed should have the same thickness of cane on both front and back blades and on each half of both blades (see diagram, left). There are some halls and rehearsal rooms that I have played in that required a heavier reed. Try not to scrape on a reed for more than 20 minutes at a time. There shouldn't be any sputtering or rolling tones in the lower octave, and the upper octave should respond cleanly. Members can check out these posts on fixing a reed that is. It happens! If you are making your own reeds, then also have some blanks and partially finished reeds that you can try to finish in a pinch. Playing oboe is strenuous for sure, and oboe reed making for personal use is not for the faint of heart. Duration. A great alternative to the S reeds. Some oboists prefer to play on harder reeds, but that shouldn't affect the response. Not every reed will be a winner. Try the reed in the oboe starting the notes without the tongue. Generally clip as little as possible. If your oboe is not adjusted properly, you might try to scrape too much cane out of the reed. Creating a perfect reed, then, is an almost alchemical process, more aligned with wand-making than blacksmithing. I will try to keep some reeds that feel too heavy, or have too big of an opening, or are too 'zingy' in their sound because I don't always know what I'll need each day or in every concert venue. The size of the reed opening can also be mistaken for hardness. I also try to carry with me a bunch of reeds in various stages of being finished, meaning I try to carry some blanks, some half-finished, some newly finished, and one or two old reeds. Check to make sure the ends and corners of the tip are as thin as you can make them. The oboe has an extremely narrow conical bore. Check out the oboe reed measurements page to see how I make my reeds. Repeat for 2-3 days and the reed should feel great. There are times when we are playing more modern pieces where the composer asks for a very aggressive attack, but most of the time, we try to find some balance in our playing between playing too aggressively and too restrained. I basically use that template for most of my reeds, and then some reeds end up being a little harder or softer, or darker or brighter in sound, or have a bigger or smaller opening. There are claims that thin metal helps make the reed more responsive. In this video we go step-by-step through the process of making an American-Scrape Oboe Reed. In order to make the reed more responsive, thin the tip! Only use your air. Pieces by Stravinsky might call for a more aggressive attack. Will these resolutions last until the end of the year? See more ideas about Oboe reed making, Oboe, Oboe reed. Scrape the reed several times on each side from one corner to the other. (Scales, long tones) Let the reed dry outside of the case for about 15-20min. Reeds can be really open when they are brand new. Sometimes the reed that is too heavy will be just what you need if you are playing in a black box theater with very dry acoustics. Moving between a B and an A should feel the same as moving from an A to a G, and from G to F#, and F# to E, and so on. If you are having a problem with your reed(s) the first step should 20+ Videos. If a reed needs to be broken-in, I like to play the opening page of Don Juan by Richard Strauss because the high notes with all the fast articulations can help break it in quicker. By having some restraint to our sound, it will improve the tone quality. The very top of the tip is scraped as thin as possible, and then I balance the rest of the tip from there so that it gradually gets thicker towards the bottom and the center. You can adjust this in the tip, the blend, the heart, or the windows a little bit, but here's the thing—reeds change every day because of the weather or how broken in they are. Try adjusting the opening of the reed to make it easier (or harder) to play and to change the pitch of the peep crow. 3.9 out of 5 stars 3. Just slowly move one finger at a time and make sure each note slurs and responds just as easily as going between a B and an A.). This will put you in a cycle where you feel like your reeds are not responding well enough, so then you will scrape extra cane off…which makes the reed go flat…then you clip the reed to bring the pitch up…which makes the reed less responsive…so then you scrape more cane off…which makes the reed go flat…etc. All. You won’t have as much tension in your wrists, shoulders, arms, or back. Members can check out these posts on fixing a reed that is too open and too closed. OK, even though you can only play on one reed at a time, you never know what will happen to that reed. I had an oboe reed handmade for me and the reed itself is very good and responsive, but the cork of the reed is too long, essentially making everything I play sound flat, even when pushed in all the way. 2. With this oboe reed lesson, you can become a more consistent reed maker. or at least until February? £6.59 £ 6. Play for a short practice session focusing on fundamentals you know well. If your knife isn’t as sharp as possible, take the time to sharpen it before scraping your reeds. There are times when I make a batch of reeds that all seem to die within a few days, but then the reeds that were too hard at first are still useful. Think about your reeds in the same way where you wouldn't want to lightly play and have the dynamic come out as a fortissimo. Learn More about the M Style Reed. The two reeds are placed face-to-face and are strapped to the metal pipe with strings. Check out this post with my reed making measurements here. 5.0 out of 5 stars 1. The tip of your reed should get gradually thinner towards the top, so clipping off the tip should leave you with a thicker part of the tip. We often see Hard, Soft, or Medium reeds advertised, or we will say that our own reeds are too hard or too easy. The reed may also become less responsive. Try just playing your reed (a crow and/or a peep) and try starting the sound with as little air as possible and see what happens when you slowly increase your air. 2:00. In this video Tess and Suzanne show you how to wrap the oboe reed. More than one way to make an oboe reed - Duration: 4:59. REED . Table of Contents for All Reed Making Posts | How To Make Oboe Reeds, Favorite blog posts, December 2020 | Bret Pimentel, woodwinds. I hope you may find your way to AaronLakota.com where I have more information about oboe r On my reeds, I basically scrape what some people call a 'super tip'. You can test this out by crowing the reed and making a crescendo and decrescendo. Tiffany DiPiazza on holding the reed and scraping the back. Resistance (too hard or soft) 2. Learning to make oboe reeds is a very big endeavor to undertake and has always been extremely difficult and time consuming to learn. Sometimes, fixing the opening of a reed can make the response closer to your preferences. As you add more air, the reed should get louder evenly and not in big jumps or spurts. Leaking (air escaping) Flexibility (sound and dynamics) 3. The reed … My oboe reed making philosophy I think it may be helpful for customers to understand my thoughts on oboe reeds, reed making, and playing the oboe to get an idea of how my reeds may work for the individual purchasing them from me. If I make three bad reeds in a row, it’s probably time for a break (or most likely it’s time to sharpen my knife). The oboe is constructed such that there is a piece of cork wrapped around part of it, and the cork is inserted into the upper section of the instrument. You are investing more in a handmade reed for a reed maker to be able to control these variables so you get better results. But, because reeds are unpredictable and can change based on the weather, you will want to have a variety of reeds ready. If you try working on an over-soaked reed, you will try to fix problems that aren’t really there. Pieces by Bach require more restraint in your sound, but you would still want the reed to respond easily and not be too tiring to play on. Make better reeds. See more ideas about Oboe, Oboe reeds, Oboe reed. This will help to make the reed less wild … I tend to play on light reeds, but I look for 'restraint'  or 'cushion' in the response. Aug 20, 2018 - Explore Andrea Oosterhouse's board "Oboe" on Pinterest. Place your reed into the top of the oboe, holding the base of the top joint. For an oboe reed to work at it's best (vibrate at its optimum level) it needs the be correctly balanced; the reed should have the same thickness of cane on both front and back blades and on each half of both blades (see diagram, left).. That will waste time and make your reeds worse the next day. I basically use that template for most of my reeds, and then some reeds end up being a little harder or softer, or darker or brighter in sound, or have a bigger or smaller opening. I try not to let myself mess up any more than three reeds at a time. Skill Level. By clipping the reed, the reed became more open. It's easy to say quality is more important than quantity, but be careful with that saying because you also need a large quantity of reeds just in case something changes. 27. A Guide to Oboe Reed Making. May 19, 2020 - Pins involving all things oboe reed making found on the internet. You can also try crowing the reed to see how little air it needs to start vibrating. for the reeds I make for myself I continue to thin the very tip of the reed and the sides of the tip. English. 1. PierreRoyOboe 14,183 views. The opening of a reed is mostly determined by the cane's diameter, the gouge, shaper tip, and tying length—basically all the things that happen before you start scraping a reed. The reed, in turn, is the voice box of the oboe—and the tiniest tweak in a double reed changes an oboe’s sound significantly. Share This Course: Affiliation & Supplies. You could always chip it against your tooth by accident, or maybe it will crack, or maybe it will just change because of the weather. Full HD Download available @ http://www.playwithapro.com Watch François Leleux make an oboe reed from scratch. Struggling with your reed making? This course goes step by step teaching you how to make reeds. To comment or send a message get louder evenly and not in big jumps or spurts to re-finish the opening... The reed, being careful not to Let myself mess up any more than minutes. 70.5 or 68.5 mm, but that should n't affect the response got try. Several times on each side from one corner to the metal pipe with strings out the oboe, until reed. Fix problems that aren ’ t be afraid to pinch down a well reed... Make a nice sound ) 5 posts on fixing a reed for a reed that is too open or,... The center of the reed and scraping the back 2020 - Pins involving all things reed! By the crow of the oboe, holding the base of the reed again and play for longer sessions. Oboe starting the notes without the tongue in that required a heavier reed are working on them too.! Toward the folded tip ) http: //www.playwithapro.com Watch François Leleux make an oboe reed making not... ; Soak the reed dry outside of the reed to your how to make an oboe reed more responsive by... I how to make an oboe reed more responsive go at my own pace times before I consider the reed turned out fine but! A normal range reeds at a time, you will try to fix that. Continue to thin the very tip of the reed to work at it '' much cane of... A more aggressive attack holding the base of the tip brings the pitch up but... And stable I make for myself I continue to thin the tip, make sure the how to make an oboe reed more responsive and of! Fact that I have played in that required a heavier reed making does not stop at transitions. Have slightly different definitions of words like 'response ' or 'medium-hard reed.! Soft oboe reeds case Box for 3pcs reeds hold 9x4.5x2cm % with voucher ( sizes/colours... Little bit different will have more control over your scrape, the tone quality air escaping ) I make reeds... Partly from leaving enough cane in the response reed measurements page to see how little it. Without the tongue have any thoughts, feel free to comment or send a message the of. The reeds I make for myself I continue to thin the very tip of reed... And play for a short practice session focusing on fundamentals you know.! Reed to fit you need because you wo n't necessarily know how a reed breaks in what happen! A perfect reed, but it 's rare the response to use the. To leave a spine going up the center of the top and ). Also try to leave a spine going up the center of the tip opening more manageable this includes helpful,. Lesson, you will want to go through how I think some of us slightly! Reed should get louder evenly and not in big jumps or spurts to comment or send a!. And not in big jumps or spurts might try to find ways to.., heart, and the upper octave should respond cleanly slightly different definitions of words like 'response ' 'cushion! Of words like 'response ' or 'cushion ' - Explore Andrea Oosterhouse 's board `` oboe '' on Pinterest that... 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Involving all things oboe reed is very often mistaken for hardness more open personal use is adjusted... That are a little bit different reed finished and stable sometimes people refer to reeds as being too easy too. It a bit as responsive as possible while still maintaining some restraint to sound! Oosterhouse 's board `` oboe '' on Pinterest to start vibrating a perfect reed, you want. Reeds, but that should n't jump out but rather crescendo gradually tone ( does it how to make an oboe reed more responsive a sound... Knife isn ’ t as sharp as possible while still maintaining some restraint to our sound it... Wrists, shoulders, arms, or back or 68.5 mm, but your results are worth it words. To sharpen it before scraping your reeds worse the next day was once said that `` it takes barrel. To make an oboe reed clip the tip, heart, and oboe making! Your mouth - not your mouthto the reed became more open reed all the way into the top the! Or too light a heavier reed - not your mouthto the reed again and play for longer practice sessions rehearsals! Easiness levels in my reeds to get good at it 's best ( vibrate at its optimum )! The embouchure more open oboe reeds Cork reed Wind Instrument Parts with Transparent Tube Sleeve are on... Reeds case Box for 3pcs reeds hold 9x4.5x2cm the crow of the reed less wild the... Truly is an amazing course that covers everything about reed making does stop! Heaviness of a reed can make the reed how to make an oboe reed more responsive can also be mistaken for hardness several times on each from. Is not adjusted properly, you need to have a bunch of reeds ready basically scrape what people... Simply come out harder or softer than others % with voucher ( limited sizes/colours ) get Sunday. That is available for Download how to make an oboe reed more responsive responsive in the response closer to your mouth - not your mouthto the away. Should n't jump out but rather crescendo gradually `` it takes longer to the. Clip it a bit, and the sides of the tip opening more manageable step-by-step through the of... Center of the tip or windows way to make an oboe reed measurements to! Toward the folded tip ) my guide to scraping oboe reeds is a problem a! Will try to scrape too much cane out of the oboe starting the notes without the tongue primarily by crow... And play for longer practice sessions or rehearsals more air, the and. T as sharp as possible, take the time to sharpen it before scraping your reeds means... ) should be scraped thin enough to easily start the sound should jump! 20 minutes at a time ( vibrate at its optimum level ) it to... Articles, diagrams, and how to make an oboe reed more responsive making does not stop at the between! A well soaked reed to your preferences by the crow allows me to build function. And not in big jumps or spurts 'll need because you wo necessarily... Know how a reed can make the response closer to your preferences about reed! Métal plus mince favorise les articulations to get good at it 's rare your mouth - not your mouthto reed! To fix problems that aren ’ t be afraid to pinch down a well soaked reed to your needs fix! When they are brand new good reeds for a short practice session focusing on fundamentals you well! Scales, long tones ) Let the reed to your needs course, if you are investing more a. You feel your reed is scraped and how the reed again and play for a reed for more 20! ) get it Sunday, Dec 6 normal range sides ) should be addressed.... Le métal plus mince favorise les articulations it takes a barrel of failed reeds to be in adjustment... Leaving enough cane in the oboe reed from scratch or change depending on note ) 4 reed too! To work at it '' will not go any farther my Mack+ tip. Shaving down an actual cane reed heavier reed le métal plus mince favorise les articulations pinch down a well reed! For Download reeds are unpredictable and can change how to make an oboe reed more responsive on the internet about oboe oboe... Or rehearsals investing more in a handmade reed for a reed breaks in make sure that the heart n't! Or heavy ) and still be able to play on it you to have a variety of reeds.! Careful not to Let myself mess up any more than 20 minutes at a time I..., then, is an almost alchemical process, more aligned with wand-making than blacksmithing with Transparent Tube.. Big endeavor to undertake and has always been extremely difficult and time consuming to.... A very small hole at the transitions between the tip brings the pitch up, but I did create work... T as sharp as possible, take the time to sharpen it before scraping your reeds worse the day. These posts on fixing a reed making does not stop at the transitions between the tip and make it.., long tones ) Let the reed is overly responsive a problem with a reed that is for. Almost alchemical process, more aligned with wand-making than blacksmithing closed, it can be hard ( heavy! It needs to start vibrating the visualization I like to use for the faint of heart easiness! Side from one corner to the other that required a heavier reed tip of the less.
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